Katherine Anteney

Printmaker & Bookbinder

This is me, I’m the one on the left!

In the mid 1990s a friend and I screenprinted ‘Free Beth and Mandy Jordache’ t-shirts on my kitchen table to raise money for the local women’s refuge and since then I have been completely hooked on printmaking.

These days I don’t screenprint very often, preferring linocut and letterpress. I also like to combine monoprint techniques with lino. I love all printmaking and find printmakers the most interesting, generous people to spend time with.

On graduating from Winchester School of Art in 2004 with a BA in Fine Art Printmaking, I co-founded Red Hot Press, Southampton’s Open Access Print Workshop. A lot of my time is spent teaching so I fit making my own work around that. Teaching is great because you get to see other people falling in love with the process too.

In January 2016 I was lucky enough to receive a Shackleton Quality of Life Scholarship to travel to the Falkland Islands where I spent three weeks teaching Linocut and Bookbinding. It was an amazing experience and I made some great friends there, including the little fella in the photo.

I’m fairly eclectic in my work but on the whole I’m influenced by ancient landscapes, the strangeness of words and language and frogs plus 20th century printmakers like Bawden and Ravilious.

In my spare time I cycle and swim and you’ll see bits of that creep into my work too.

What I’ve been up to recently…

This bit is like a blog but less boring. I’ll update it as often as possible so keep popping by.

I've started working on a new linocut recently. I tend to work in reduction print but also treat the blocks a bit like monoprints.

I started this one off by painting the figure on the block with oil-based ink. I love seeing images slowly emerge out of the lino. It can be a nerve wracking way to work but the results are always enjoyable even if they are not necessarily what was in your head to start off.



Instagram shenanigans

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